This document is a transcript of the text of the display boards of the exhibition held at the Museum of North Craven Life in The Folly during 2005: images are not included although they are listed.
The word 'tapestry' has two meanings:
There is a long tradition of recording historical events and stories on woven or embroidered wall hangings. One of the most famous examples is the 11th century Bayeux Tapestry which tells the story, on a strip of linen seventy metres in length, of William the Conqueror's defeat of the English in 1066
The Quaker Tapestry, begun in 1981 and now on permanent display in the Friends Meeting House in Kendal, celebrates three hundred and fifty years of Quaker experience and insights in a series of seventy-seven separate embroidered panels
The Airton Tapestry, completed in 2004, and directly inspired by the Quaker
Tapestry, depicts events in Airton's Quaker history , so continuing and reinforcing
the long tradition of the creative expression of ideas through stitches
It portrays people and events in Airton associated with Quakerism, together with characteristic scenes in and around the village. See if you can find them on the tapestry itself
The tercentenary of the Airton Friends Meeting House, built by William and Alice Ellis in 1700, was the inspiration for the tapestry exhibited here
The Airton Tapestry follows a tradition that goes back many centuries, of telling a story in embroidery; the Bayeux Tapestry is one of the best known illustrations of this and the Quaker Tapestry is a modern example
The Quaker Tapestry, which can be seen in the Friends Meeting House in Kendal, can best be described as narrative crewel work. It tells the Quaker story in seventy-seven embroidered panels. Similar panels have been worked by Friends in other parts of the country and around the world and the practice of 'weaving a story' in stitches has become a tradition within the Quaker movement itself
Work on the Airton Tapestry has brought together a group of people, Quaker
and non-Quaker, with many different skills. The project has taken four years
to complete and, in the process, has emphasised the Quaker philosophy of the
sharing of ideas and experience, the work itself illustrating their concern
for the fabric of society and the natural world
Quakers, or members of the Society of Friends, do not define their faith, which they see as springing from an inner light through the loving outreach of God
Friends meet in silent worship, without priests, rituals or set creeds. They hold strong principles of social justice and service, affirming the equality of all people before God
A Leicestershire shoemaker, George Fox, came to faith through the influence
of many religious thinkers and preached throughout the country, rejecting church-going
and proclaiming 'the people as the church of God'. In 1652 he travelled on foot
through West Yorkshire and by the early 1660s groups of Friends were known to
be meeting together in Malhamdale
The impetus for creating the Airton tapestry came from an article by Alison Burnley, published in The Friend in January 2000, which encouraged local groups who had not been involved in the original Quaker Tapestry to portray events in the life of their own Meeting
This idea was enthusiastically received by a number of Friends in Settle Monthly Meeting and the Airton Tapestry Group was formed to produce an embroidered panel to commemorate the tercentenary of Airton Meeting House in Malhamdale. Every member contributed a particular skill other than embroidery, such as drawing, lettering, historical research, fundraising or handyman work
Regular meetings were held and the content of the panel agreed. The well-known Malhamdale artist, Katharine Holmes, made the original drawings and painting from which a final design was produced by Richard Shewell. Members of the Group attended embroidery workshops organised by the Quaker Tapestry in Kendal and practised the stitches in samplers
Children from Kirkby Malham Primary School were involved at an early stage
and contributed drawings of their impressions of Airton and its surroundings.
Several of these were used in the lower border of the tapestry
Close attention was paid to the scale of the design, the main images being placed diagonally to achieve balance and create a pleasing effect
Appleton's crewel wool was used for the work and although the modern dyes are all synthetic, Katharine Holmes, the artist, chose colours which echoed the softer plant dyes for the older figures, reserving the brighter ones for the modern figures and the children's border
The drawing was traced on to greaseproof paper with a special wax pencil and
then ironed on to calico, which was then carefully tacked to the woollen fabric.
The joined fabrics were then stretched on a frame
There were three layers of embroidery. First of all, the outline of the design was stitched from the back. Great care was needed to thrust the needle at right angles through the fabric. The second layer was then worked from the front, infilling the shapes within the outlines. The third layer added the creative, descriptive embroidery, giving the finished work a three-dimensional effect
The panel was passed round the group and each member worked a particular image
Six stitches were used to work the design: stem stitch, split stitch, Peking knot, Bayeux point, chain stitch and Quaker stitch for the lettering
Upper-case lettering was transposed on to the wool fabric through the calico
backing. Lower-case letters were worked directly on to the front
After four years of work, the Airton Tapestry panel was completed and mounted in a handsome, purpose-designed oak frame suitable for hanging
Members of the Airton Tapestry Group met in February 2004 to celebrate and discuss ideas for the future display of the panel in a number of public places where both Friends and members of the local community might enjoy it
The Group felt that the shared activity of producing the tapestry had been
truly a means of outreach, not only for the Society of Friends but also for
the tiny, historically-significant Meeting House in Airton, now only used for
Images Check these!
William Ellis (1658-1709) was born in Calton across the river from Airton. When he was sixteen he was apprenticed to John Stott, a linen-weaver in Bradley, near Skipton. The Stott family were Quakers and William himself became a Quaker, attending Friends' meetings and 'becoming convinced in the faith'
When he was twenty-one he moved to Airton, which remained his home for the rest of his life. He gradually established his ministry in the valley, subsequently travelling throughout Britain and also in America to preach the message of Quakerism.
In 1688 William married Alice Davie who shared his beliefs and worked with him to spread the faith. In 1697 they acquired the land on which to build a Meeting House, which was completed in 1700. Nearby, they built a home for themselves and a linen-weaving workshop
Through hard work and good management William established a successful business.
He is remembered as a caring man, good to his employees, living truly in the
faith - the father of the Quaker movement in Malhamdale.